Red — Walnut Independence Studio on 3
Just as Sweeney Todd instructs Anthony Hope about the various shades of blonde hair, the painter, Mark Rothko, lectures his assistant, named Ken but never addressed as such, about the … Continue reading
A Moon for the Misbegotten — Walnut Independence Studio on 3
Kate Galvin’s production of “A Moon for the Misbegotten” is as solid and as sturdy as Eugene O’Neill’s scrappy hulk of a rough-tongued heroine, Josie Hogan. The staging doesn’t dazzle. … Continue reading
I Love a Piano — Walnut Independence Theatre on 3
In my sophomore year of high school, when all classes were mixed in one giant gym class, I was brought out to the blacktop with juniors, seniors, and my 10th … Continue reading
Liberace! — Walnut Independence Studio on 3
Here’s a question. Does any well-known entertainer make a grand living today by primarily playing the piano in 1,000-seat nightclubs or on television? The answer is no. Just as no … Continue reading
Mickle Street — Walnut Independence Studio on 3
When he was a boy, Oscar Wilde’s mother read him verse from Walt Whitman’s “Leaves of Grass,” a landmark collection that was published in 1855, the year after Wilde was born. … Continue reading
Bad Jews — Walnut Independence Studio on 3
When Joshua Harmon depicts “Bad Jews” in his play of that name, he’s not referring so much to the unobservant or irreverent Jew as to the Jew who qualifies as one “bad … Continue reading
I Love You, You’re Perfect, Now Change — Walnut Studio on 3
Far from contempt, familiarity breeds enjoyment in Christopher Sutton’s smart, adult approach to the 19 sketches comprised in the Walnut Independence Studio production of the widely-produced “I Love You, You’re … Continue reading