A Bard Birthday Present — Julius Caesar –Quintessence Theatre at Sedgwick
Alexander Burns is a scholarly lad, and with the right kind of audacity. Summoning his acquired knowledge of classic and contemporary literature, he enlisted 20th century poet John Masefield (He … Continue reading
Lydie Breeze: Aipotu — EgoPo, Christ Church Neighborhood House
LYDIE BREEZE: AIPOTU, EgoPo Classic Theater at Christ Church Neighborhood House, 20 N. American Street, Philadelphia, through March 18 but returning in April as part of a Marathon — Mirror-read … Continue reading
Toni Morrison’s The Bluest Eye — Arden Theatre
Curiosity gnawed from the minute the Arden announced its current season would include a dramatization of Toni Morrison hypnotic novel about race identity, “The Bluest Eye.” Since reading it decades … Continue reading
Blood Wedding — Wilma Theater
BLOOD WEDDING — Wilma Theater, Broad and Spruce Streets, in Philadelphia, through November 19 — Dance 10, Lorca 3. If even. Re: Lorca, poor lad. Csaba Horvath’s muscular production of … Continue reading
The Legend of Georgia McBride — Arden Theatre (And Other Stuff)
Before making this current doomed-to-fail attempt to cover multiple productions in pithy quick takes, I need to say something about the superb acting local audiences have been treated to show … Continue reading
Guards at the Taj — Theatre Exile at Studio X
Jaunty, naturalistic acting, scattered bon mots, sporadic moments of amusement, occasional keen observations, and blatant instances of tense drama cannot save Rajiv Joseph’s “Guards at the Taj” from a typical … Continue reading
Bathing in Moonlight — McCarter Theatre Company
While Nilo Cruz broaches some interesting subjects and often provides his characters with profound things to say, his world premiere play, “Bathing in Moonlight,” never takes off dramatically. The … Continue reading
The Bridges of Madison County — Media Theatre
Jason Robert Brown has a unique way with lyrics. Several of his songs begin by wallowing, more artfully and articulately than most, in the modern trend to tell stories … Continue reading
The Chairs — Idiopathic Ridiculopathy Consortium, Walnut 5
Eugène Ionesco is categorized as an absurdist. The dialogue in his plays often reads as non-sequitur. His characters can rampage, pose, cower, or make declarations at unexpected times. Fantastic events … Continue reading