Minor Character — Wilma Theater
Usually, I am not a fan of deconstructions. Rather than illuminate, as their creators and directors might claim, they tend to chaotically jumble what once coherent and devolve into self-indulgent … Continue reading
Fool For Love — EgoPo; Words for Snow — Inis Nua; Outside Mullingar — Delaware Theatre Company
FOOL FOR LOVE — EgoPo Classic Theater at Latvian Society, 7th and Spring Garden Streets, Philadelphia, 267-273-1414, http://www.egopo.org -through Sunday, February 23- EgoPo’s production of “Fool For Love” holds out … Continue reading
Blood Wedding — Wilma Theater
BLOOD WEDDING — Wilma Theater, Broad and Spruce Streets, in Philadelphia, through November 19 — Dance 10, Lorca 3. If even. Re: Lorca, poor lad. Csaba Horvath’s muscular production of … Continue reading
Peter and the Starcatcher — Walnut Street Theatre
Director Bill Van Horn provides clarity and room for comic ideas to breathe that sets his production of “Peter and the Starcatcher” for a Walnut above any of the previous … Continue reading
Oscar Wilde: From the Depths — Lantern Theater
Oscar Wilde had a life of extremes. The reputation that lasts, quite appropriately, is that of writer of grand flair and ostentatious wit who could craft an aphorism or bon … Continue reading
Antigone — Wilma Theater
Call me Philistine. The pity of Theodoros Terzopoulos’s production of “Antigone” for Wilma Theater is so much effort, exactitude, and fine execution have gone into this handsome, ritualistic staging only … Continue reading
Rosencrantz and Guildenstern are Dead — Wilma Theater
Squirming, gyrating, turning slowly at odd angles, and other unnecessary, unenhancing, unedifying bursts of the-uh-tuh aside, Blanka Zizka gets to the witty core of the play that thrust Tom Stoppard … Continue reading
Hamlet — Wilma Theater
For years, I have collected “Hamlets,” going hither and yon to see any production I could find. By now, I’ve seen more than 100 renditions of Shakespeare’s story about the … Continue reading
Ritu Comes Home — InterAct Theatre at the Adrienne
Peter Gil-Sheridan was generous to himself when he conceived “Ritu Comes Home.” His play, having its world premiere production at InterAct Theatre, is endowed with a rich sitcom premise in … Continue reading
The Rise and Fall of Little Voice — Walnut Independence Studio on 3
Ellie Mooney has the mimic’s knack of catching the essence, the signature sound of a vocalist, and projecting it in a way that goes beyond imitation or impersonation to homage. … Continue reading
